art in a time of migration
‘Submission’ Exhibited at Invisible Line Gallery 2012, Dalston: Islam means submission. Women are living in a submissive position to men despite religion everywhere around the world. In this work my aim is to play with the traditional, the religious and the sexual. The rosaries which counts and names the 99 names of Allah in a […]
Jeg hedder Hulya, et helt almindeligt dansk navn! Det udtales lydret sådan her [Hylja]. Jeg skriver det gerne under min jobansøgning lige næstefter min underskrift. Jeg vil gerne at det bliver behageligt for arbejdsgiveren at udtale mit navn når jeg/hvis jeg kommer til jobsamtalen. Men ogsa for mig, jeg vil gerne vaere Hulya pa tyrkisk. […]
Herseyi kendi ellerimizle yapiyoruz hemsireler, hem de hemcinsimize: Cay demliyorum, ellerimle ama senin gozlerin de ellerimde. Yenge/yengeler/yengecler cekin gozunuzu uzerimden demledigim alt tarafi bir cay, masaya getirdigim sadece bir bardak cay, bir tepsi cay, bir caydanlik, ben vucudumu bir et parcasi olarak pazarlamisim her misafir onune cikisimda megersem. O eller titrer mi, o kiz terler […]
‘Resisting Hospitality’: On behalf of community: The intention with the Turkish tea glass lamp is site specific to Dalston Lane, that has a big community of Turkish citizens. But due to the re-generation of the area, cleaning up and evening out the asphalt to welcome new citizens who pay higher rents, due to the huge […]